This is a widely held belief for numerous people that co-parenting a canine companion post-separation is a terrible idea. Most will argue such arrangements prevent ex-partners from finding closure, cause practical headaches, lead to tension, and are a nuisance for all parties. Apparently, and in a twist fit for a direct-to-platform film, it can even cause the canine in question to become depressed.
Not to downplay the emotional well-being of dogs – many owners observe their profound sensitivity. If you need masterclass in pet despair, simply recall recent cinema. I firmly believe that a dog like Merv, a wired-hair terrier mix brought to life by a talented dog named Gus, would have a hard time adapting to life in two homes. If this concept an entire Christmas romance on this conflict holds water is debatable at best.Standard Holiday Fare
Fairness demands noting, Merv, crafted by Dane Clark and Linsey Stewart and under the guidance of director Swale, makes no grand claims more profound than what it is. This is a seasonal offering from a corporate studio – the complexity is limited. The plot is destined to be simple and direct: a separated couple Russ, played by Charlie Cox and Anna (Zooey Deschanel), realizing that their post-breakup gloom is rivaled only by their dog's, decide on a therapeutic trip to a canine-centric retreat. Once there, as expected, they will surely rediscover the idea that they are better together. The supporting cast – featuring familiar faces – are crafted as eccentric, underutilized, or over-the-top. Visually has the quality of a branded content, with a wintry atmosphere that is obviously artificial – exemplified by obvious snow effects piled on green trees as a summer location substitutes for a cold December city.
The Canine Charisma
If these predictable parts merge into a pleasant experience depends on the strength of the performances and one's taste for easy entertainment. For the comfort factor, Merv knows its audience – those people who scroll endlessly for cute animal clips. It provides a series of scenes focused on the pet. The primary selling point is the dog, and though it results in some clunky cuts between the pet's "lines" and human reaction, the movie delivers on walking sequences, pet moping, and, in the end, a tail-wagging resolution.
The Human Element
This level of success cannot be applied for the romantic plot. The film's approach shifts uneasily between emotional depth, broad humor, predictable love story, and silly gags, failing to master a consistent feel. No blame falls on the actor playing Russ, who is willing to embrace the humiliating and funny inherent in the bizarre setting. He brings a endearing lack of ego that provides much of the film's charm for this on-the-rocks couple. Zooey Deschanel, as is her trademark, brings a distinctive offbeat energy that will either resonate with viewers. The character comes across as a touch too detached, particularly when paired with Cox's genuine sadness. (For what it's worth, the canine performer manages looking despondent – while no Messi from that acclaimed drama, he's definitely a scene-stealer.)
Merv tries to give weight to Anna and Russ's relationship for moments when the dog is absent – which is unfortunate, since Merv is undoubtedly the most adorable aspect of this cute-aiming movie. Expectedly, it just about gets by. The reason for their separation might seem more grounded and mature with less exposition and fewer direct statements. Ultimately, Merv is slight and sweet, fulfilling all its marks. Crafting a story with this canine conflict has potential – though it's hardly a great one either.
- Merv premieres on the Amazon platform starting December 10.
